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  <updated>2026-10-16T03:02:57Z</updated>
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  <title>Nostr notes by Canon Rumors (Unofficial)</title>
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    <name>Canon Rumors (Unofficial)</name>
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      <title type="html">Save Big on Terramaster NAS Enclosures Terrmaster has launched ...</title>
    
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      Save Big on Terramaster NAS Enclosures&lt;br/&gt;&lt;br/&gt;Terrmaster has launched their holiday instant rebates on select NAS enclosures, there are offers on 2-bay, 4-bay and 8-bay options. You can save up to 25% on eclosures in both the US and UK.&lt;br/&gt;Terramaster NAS Enclosures&lt;br/&gt;Save 15%&lt;br/&gt;TerraMaster F4-425 Pro NAS 4-Bay&lt;br/&gt;$594.90$699.99&lt;br/&gt;UK £511.99£639.99&lt;br/&gt;EU €591.99€739.99&lt;br/&gt;4 x 3.5/2.5″ SATA Drive Bays&lt;br/&gt;3 x M.2 NVMe Slots&lt;br/&gt;Intel Core i3-N305 8-Core CPU&lt;br/&gt;Up to 1010 MB/s Read/Write Speed&lt;br/&gt;8GB DDR5 RAM&lt;br/&gt;Up to 152TB of Storage&lt;br/&gt;2 x 5GbE RJ45 Port | 1 x HDMI Port&lt;br/&gt;3 x USB-A Ports | 1 x USB-C Port&lt;br/&gt;RAID 0/1/5/6/10 &amp;amp; TRAID Support&lt;br/&gt;TOS 7&lt;br/&gt;Shop Now→&lt;br/&gt;Save 20%&lt;br/&gt;TerraMaster F2-425 Plus NAS 2-Bay&lt;br/&gt;$359.99$449.99&lt;br/&gt;UK £367.99£459.99&lt;br/&gt;EU €423.99€529.99&lt;br/&gt;2 x 3.5/2.5″ SATA Drive Bays&lt;br/&gt;3 x M.2 NVMe Slots&lt;br/&gt;1 x Quad Core 3.6 GHz Intel x86 CPU&lt;br/&gt;Up to 1020 MB/s Read/Write Speed&lt;br/&gt;8 GB of 4800 MHz DDR5 RAM&lt;br/&gt;Up to 84TB of Storage&lt;br/&gt;2 x 5GbE RJ45 Port | 1 x HDMI Port&lt;br/&gt;3 x USB-A Ports | 1 x USB-C Port&lt;br/&gt;RAID 0/1/JBOD/Single Support&lt;br/&gt;8K Hardware Transcoding&lt;br/&gt;Shop Now→&lt;br/&gt;Save 20%&lt;br/&gt;TerraMaster F4-425 NAS 4-Bay&lt;br/&gt;$343.99$429.99&lt;br/&gt;UK £471.99£589.99&lt;br/&gt;EU €367.99€459.99&lt;br/&gt;4 x 3.5/2.5″ SATA Drive Bays&lt;br/&gt;1 x Quad Core 2.0 GHz Intel x86 CPU&lt;br/&gt;4 GB DDR4 RAM&lt;br/&gt;Up to 120TB of Storage&lt;br/&gt;1 x 2.5GbE RJ45 Port&lt;br/&gt;2 x USB-A 3.2 Gen 2 Ports&lt;br/&gt;1 x USB-A 3.2 Gen 1 Port&lt;br/&gt;1 x HDMI Port&lt;br/&gt;RAID 0/1/JBOD/Single Support&lt;br/&gt;4K Hardware Transcoding&lt;br/&gt;Shop Now→&lt;br/&gt;Save 25%&lt;br/&gt;TerraMaster F4-424 Pro NAS 4-Bay&lt;br/&gt;$644.99$859.99&lt;br/&gt;UK £592.49£789.99&lt;br/&gt;EU €727.99€909.99&lt;br/&gt;4 x 3.5/2.5″ Bays | 2 x M.2 2280 Slots&lt;br/&gt;3.8 GHz Intel Core i3-N305 8-Core&lt;br/&gt;32GB of 4800 MHz DDR5 RAM&lt;br/&gt;2 x 2.5 Gigabit Ethernet Ports&lt;br/&gt;USB-C 3.2 Gen 2 | USB-A 3.2 Gen 2&lt;br/&gt;1 x HDMI 2.1 Port&lt;br/&gt;RAID 0, 1, 5, 6, 10, Single &amp;amp; JBOD&lt;br/&gt;Data Transfers of up to 283 MB/s&lt;br/&gt;AES 256-Bit Encryption&lt;br/&gt;Windows, Mac, and Linux Compatible&lt;br/&gt;Shop Now→&lt;br/&gt;Save 20%&lt;br/&gt;TerraMaster F4 SSD NAS 4-Bay&lt;br/&gt;$399.99$499.99&lt;br/&gt;2 x M.2 2280 PCIe 3.0 x2 Slots&lt;br/&gt;2 x M.2 2280 PCIe 3.0 x1 Slots&lt;br/&gt;3.4 GHz Intel N95 4-Core CPU&lt;br/&gt;8GB DDR5 RAM&lt;br/&gt;1 x 5GbE RJ45 | 1 x USB-C 3.2 Gen 2&lt;br/&gt;2 x USB-A 3.2 Gen 2 | 1 x HDMI 2.0b&lt;br/&gt;RAID 0, 1, 5, 6, 10, TRAID, Single, JBOD&lt;br/&gt;Hardware Encryption Engine&lt;br/&gt;Hardware Transcoding Engine&lt;br/&gt;Windows, Mac, and Linux Compatible&lt;br/&gt;Shop Now→&lt;br/&gt;Save 20%&lt;br/&gt;TerraMaster F8 SSD Plus NAS 8-Bay&lt;br/&gt;$719.99$899.99&lt;br/&gt;8 x M.2 2280 PCIe 3.0 x1 Slots&lt;br/&gt;3.8 GHz Intel Core i3-n305 8-Core CPU&lt;br/&gt;16GB of 4800 MHz DDR5 RAM&lt;br/&gt;1 x 10 Gigabit Ethernet Port&lt;br/&gt;1 x USB-C 3.2 Gen 2&lt;br/&gt;2 x USB-A 3.2 Gen 2 | 1 x HDMI 2.0b&lt;br/&gt;RAID 0, 1, 5, 6, 10, TRAID, Single, JBOD&lt;br/&gt;Up to 1020 MB/s Read &amp;amp; Write Speeds&lt;br/&gt;AES NI Hardware Encryption&lt;br/&gt;TOS 6 Operating System&lt;br/&gt;Shop Now→&lt;br/&gt;Affiliate links. Prices can change.&lt;br/&gt;Why We Like Terramaster NAS Enclosures&lt;br/&gt;&amp;lt;two paragraphs&amp;gt;&lt;br/&gt;&lt;br/&gt;&lt;a href=&#34;https://www.canonrumors.com/save-big-on-terramaster-nas-enclosures/&#34;&gt;https://www.canonrumors.com/save-big-on-terramaster-nas-enclosures/&lt;/a&gt;&lt;br/&gt; &lt;img src=&#34;https://www.canonrumors.com/wp-content/uploads/2026/08/TERRAMASTER-F4-425-Pro-NAS.png&#34;&gt; &lt;br/&gt; &lt;img src=&#34;https://www.canonrumors.com/wp-content/uploads/2026/08/TERRAMASTER-F2-425-Plus-NAS.png&#34;&gt; &lt;br/&gt; &lt;img src=&#34;https://www.canonrumors.com/wp-content/uploads/2026/06/TerraMaster-F4-425-4-Bay-NAS-Home-Network-Storage.png&#34;&gt; &lt;br/&gt;&lt;br/&gt;#nasenclosures #terramasternas #portraid #hdmiport #intelcore #pronas #plusnas #ghzintel #gen #drivebays&lt;br/&gt;&lt;br/&gt;#rss #feeds #linksharing #qwibbit
    </content>
    <updated>2026-11-02T17:18:18Z</updated>
  </entry>

  <entry>
    <id>https://njump.me/nevent1qqsqjuj83gsdulydl5wcx6t6vk6fyqf4zye57kyadmxe60wchpf3wjqzypjeps7kfy8pc96kxd0t2c4gwftpxqnh8z5c9mr0lnkgftxqfj6gu2qgf67</id>
    
      <title type="html">How to Choose a Compact Camera for Wildlife Photography in 2026 ...</title>
    
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      How to Choose a Compact Camera for Wildlife Photography in 2026&lt;br/&gt;&lt;br/&gt;Wildlife photography often requires patience, quick reactions and the ability to photograph animals from a distance. Whether you&amp;#39;re watching birds in your garden, photographing deer on a nature trail or visiting a national park, the right camera can make a significant difference.&lt;br/&gt;A compact camera is an appealing option because it combines a camera body and lens in one package. You don&amp;#39;t need to buy a separate telephoto lens, and some models offer enough zoom to photograph distant wildlife without carrying a large camera bag.&lt;br/&gt;However, not every compact camera is suitable for wildlife photography. A camera designed for travel snapshots may struggle with distant birds, fast-moving animals or low-light conditions.&lt;br/&gt;When choosing a compact camera in 2026, focus on optical zoom, autofocus performance, image stabilization and sensor size. The best combination depends on the animals you photograph and how far away you expect to be.&lt;br/&gt;Quick Picks: Compact Cameras for Wildlife Photography&lt;br/&gt;Best Pocketable&lt;br/&gt;Sony RX100 VII&lt;br/&gt;20.1MP1&amp;#34; Sensor24-200mm4K30&lt;br/&gt;$1498€1069 · £1049&lt;br/&gt;Shop Now→&lt;br/&gt;Best Overall&lt;br/&gt;Sony RX10 V&lt;br/&gt;20.1MP24-600mm4K6030fps&lt;br/&gt;$2298€2499 · £2199&lt;br/&gt;Shop Now→&lt;br/&gt;Best Superzoom&lt;br/&gt;Nikon COOLPIX P1100&lt;br/&gt;16MP24-3000mmf/2.8-8UHD 4K&lt;br/&gt;$1049.95€948.49 · £999&lt;br/&gt;Shop Now→&lt;br/&gt;Affiliate links&lt;br/&gt;These cameras serve different needs. The RX100 VII prioritizes portability, while the P1100 prioritizes extreme reach. The RX10 V offers a middle ground for photographers who want a substantial zoom range and a more substantial camera body.&lt;br/&gt;Sony RX100 VII: Best for Wildlife Photography on the Go&lt;br/&gt;Best Pocketable&lt;br/&gt;Sony RX100 VII&lt;br/&gt;$1498€1069 · £1049&lt;br/&gt;Sensor&lt;br/&gt;20.1MP 1&amp;#34;-type CMOS&lt;br/&gt;Lens&lt;br/&gt;24–200mm equiv. f/2.8–4.5&lt;br/&gt;Burst&lt;br/&gt;Up to 90 fps&lt;br/&gt;ISO&lt;br/&gt;100–12,800&lt;br/&gt;Video&lt;br/&gt;4K up to 29.97p&lt;br/&gt;Stabilization&lt;br/&gt;Optical lens &#43; digital&lt;br/&gt;Viewfinder&lt;br/&gt;2.36M-dot OLED&lt;br/&gt;Weight&lt;br/&gt;302 g&lt;br/&gt;Shop Now→&lt;br/&gt;3&amp;#34; 180° tilting touchscreen · Built-in flash · Wi-Fi and Bluetooth · NP-BX1 battery, about 240 shotsAffiliate link&lt;br/&gt;The Sony RX100 VII is worth considering if you want a compact camera that can handle wildlife photography without taking up much space.&lt;br/&gt;It uses a one-inch, 20.1-megapixel sensor and a 24–200mm-equivalent zoom lens. Its autofocus system includes Real-time Tracking and Eye AF, and it can shoot at up to 20 frames per second with autofocus and exposure tracking.&lt;br/&gt;That combination is useful when photographing nearby birds, animals in a zoo or wildlife encountered during a hike.&lt;br/&gt;The 200mm-equivalent maximum focal length, however, is relatively limited for small birds or animals that remain far away. You may need to crop the image, which reduces the detail available in the final photograph.&lt;br/&gt;The lens also becomes slower as you zoom in, making it less suitable for very dark conditions.&lt;br/&gt;Best for: Travelers, hikers, casual wildlife photographers and people who want a camera they can carry every day.&lt;br/&gt;Why consider it: Compact dimensions, responsive autofocus and a versatile zoom.&lt;br/&gt;Main limitation: Limited telephoto reach for distant wildlife.&lt;br/&gt;Nikon COOLPIX P1100: Best Superzoom&lt;br/&gt;Best Superzoom&lt;br/&gt;Nikon COOLPIX P1100&lt;br/&gt;$1049.95€948.49 · £999&lt;br/&gt;Sensor&lt;br/&gt;16MP 1/2.3&amp;#34;-type CMOS&lt;br/&gt;Lens&lt;br/&gt;24–3000mm equiv. f/2.8&lt;br/&gt;Zoom&lt;br/&gt;125x optical&lt;br/&gt;Burst&lt;br/&gt;Up to 7 fps&lt;br/&gt;ISO&lt;br/&gt;100–6400&lt;br/&gt;Video&lt;br/&gt;4K up to 29.97p&lt;br/&gt;Viewfinder&lt;br/&gt;2.36M-dot electronic&lt;br/&gt;Weight&lt;br/&gt;1415 g with battery&lt;br/&gt;Shop Now→&lt;br/&gt;Optical stabilization · 3.2&amp;#34; articulating LCD · Built-in flash and hot shoe · EN-EL20a battery, about 250 shotsAffiliate link&lt;br/&gt;If photographing distant birds and animals is your main priority, the Nikon COOLPIX P1100 is one of the most interesting cameras to consider.&lt;br/&gt;Its 125x optical zoom covers a 24–3000mm-equivalent focal-length range. That is an extraordinary amount of reach from a camera with a built-in lens. Nikon also includes lens-shift vibration reduction to help reduce camera shake.&lt;br/&gt;This reach can be particularly useful for birdwatching, photographing animals across open landscapes and capturing subjects that are difficult to approach.&lt;br/&gt;The P1100 also offers a dedicated viewfinder, which is useful when composing photographs in bright sunlight.&lt;br/&gt;There are trade-offs, though. It is considerably larger than a pocketable compact, and its smaller sensor limits low-light performance compared with many larger-sensor camera systems. Autofocus and shutter speed still matter when photographing fast-moving animals.&lt;br/&gt;Extreme zoom also magnifies camera shake, so a steady grip, good technique or a tripod can be valuable.&lt;br/&gt;Best for: Birdwatchers, wildlife enthusiasts and photographers who need maximum optical reach.&lt;br/&gt;Why consider it: Exceptional 125x optical zoom and a 3000mm-equivalent maximum focal length.&lt;br/&gt;Main limitation: Larger body, smaller sensor and demanding handling at extreme zoom settings.&lt;br/&gt;Sony RX10 V: Best All-in-One Wildlife Camera&lt;br/&gt;Best Overall&lt;br/&gt;Sony RX10 V&lt;br/&gt;$2298€2499 · £2199&lt;br/&gt;Sensor&lt;br/&gt;20.1MP 1&amp;#34;-type CMOS&lt;br/&gt;Lens&lt;br/&gt;24–600mm equiv. f/2.4–4&lt;br/&gt;Zoom&lt;br/&gt;25x optical&lt;br/&gt;Burst&lt;br/&gt;Up to 30 fps&lt;br/&gt;ISO&lt;br/&gt;100–12,800&lt;br/&gt;Video&lt;br/&gt;4K up to 59.94p&lt;br/&gt;Viewfinder&lt;br/&gt;3.68M-dot OLED&lt;br/&gt;Weight&lt;br/&gt;1111 g with battery&lt;br/&gt;Shop Now→&lt;br/&gt;Optical stabilization · 3&amp;#34; tilting touchscreen · Wi-Fi 5 · NP-FZ100 battery, about 630 shotsAffiliate link&lt;br/&gt;The Sony RX10 V is another strong option for wildlife photography, particularly if you want a versatile camera with more reach than a pocket compact.&lt;br/&gt;It combines a one-inch, 20.1-megapixel sensor with a 24–600mm-equivalent zoom lens. Its maximum aperture ranges from f/2.4 at the wide end to f/4 at the telephoto end.&lt;br/&gt;The 600mm-equivalent reach is useful for photographing larger birds, mammals and animals at moderate distances. It also provides a good range for general outdoor photography, so you can capture landscapes and environmental shots without changing equipment.&lt;br/&gt;Its relatively bright lens is an advantage compared with many extreme-zoom cameras, particularly when light levels are less than ideal.&lt;br/&gt;The main drawback is size and weight. The RX10 V is more of a bridge camera than a pocketable compact, so it makes the most sense if you&amp;#39;re comfortable carrying a larger all-in-one camera.&lt;br/&gt;Best for: Wildlife enthusiasts who want a substantial zoom range without purchasing interchangeable lenses.&lt;br/&gt;Why consider it: 24–600mm-equivalent zoom, a relatively bright lens and a one-inch sensor.&lt;br/&gt;Main limitation: Larger body and less reach than the Nikon P1100.&lt;br/&gt;Which Features Matter Most for Wildlife Photography?&lt;br/&gt;Choosing the right model is only part of the decision. Understanding the specifications that affect wildlife photography will help you avoid paying for features you don&amp;#39;t need.&lt;br/&gt;1. Optical Zoom and Focal Length&lt;br/&gt;Zoom range is often the first specification wildlife photographers examine.&lt;br/&gt;For nearby animals, a moderate telephoto lens may be sufficient. Small birds sitting high in trees, however, often require much greater reach.&lt;br/&gt;A 200mm-equivalent lens can work for larger or nearby subjects, while 600mm equivalent offers more flexibility for distant wildlife. Extreme focal lengths can be useful when subjects are exceptionally far away.&lt;br/&gt;Remember that optical zoom and digital zoom are not the same. Optical zoom uses the lens to change the field of view, while digital zoom crops or processes the image. For maximum image detail, prioritize genuine optical reach.&lt;br/&gt;2. Autofocus and Subject Tracking&lt;br/&gt;Wildlife rarely waits for you to get ready.&lt;br/&gt;Birds take off unexpectedly, animals move through vegetation and small subjects can be difficult to keep in focus.&lt;br/&gt;Look for a camera with reliable continuous autofocus, subject tracking and a useful burst-shooting mode.&lt;br/&gt;These features improve your chances of capturing sharp images, although no autofocus system can guarantee a perfect result every time.&lt;br/&gt;3. Image Stabilization&lt;br/&gt;Long focal lengths make camera shake more obvious. Effective stabilization can help you capture sharper images when shooting handheld.&lt;br/&gt;However, stabilization does not freeze a moving animal. If a bird is flying or an animal is running, you still need a sufficiently fast shutter speed.&lt;br/&gt;For stationary subjects, stabilization can be particularly helpful when using a long zoom.&lt;br/&gt;4. Sensor Size and Low-Light Performance&lt;br/&gt;Compact cameras often use smaller sensors to accommodate their built-in zoom lenses.&lt;br/&gt;A smaller sensor can make an extremely long zoom possible without requiring a huge lens, but it can also produce noisier images in low light.&lt;br/&gt;If you frequently photograph wildlife at dawn, dusk or under forest cover, sensor performance and maximum aperture deserve extra attention.&lt;br/&gt;If you mostly shoot in daylight, you may be able to prioritize zoom range instead.&lt;br/&gt;5. Burst Shooting and Buffer Capacity&lt;br/&gt;Continuous shooting can help you capture the right moment when an animal moves quickly.&lt;br/&gt;But maximum frames per second is only part of the story. Check how many images the camera can capture in a burst and how quickly it can process and save them.&lt;br/&gt;For wildlife photography, a reliable burst mode can be more useful than a headline speed that is available only under limited conditions.&lt;br/&gt;6. Weight and Battery Life&lt;br/&gt;A camera that feels comfortable during a short test may become tiring during a full day outdoors.&lt;br/&gt;Consider the weight of the camera, the grip, the viewfinder and battery life before making your decision.&lt;br/&gt;If you regularly go hiking or spend hours birdwatching, portability can be just as important as maximum zoom.&lt;br/&gt;Is a Compact Camera Better Than a Mirrorless Camera for Wildlife?&lt;br/&gt;A compact camera can be the more convenient option if you want long zoom in a single package.&lt;br/&gt;You don&amp;#39;t have to buy a telephoto lens separately, and the complete setup may be easier to carry than a mirrorless camera with a large wildlife lens.&lt;br/&gt;A mirrorless camera generally offers more flexibility, particularly when paired with a high-quality telephoto lens. Larger sensor options can also help in low light, while interchangeable lenses allow you to choose equipment for specific subjects.&lt;br/&gt;The downside is that a capable wildlife lens can add considerable weight and cost.&lt;br/&gt;Choose a compact or bridge camera if you value convenience and an all-in-one setup. Consider mirrorless if wildlife photography is a serious pursuit and you want greater control over image quality, lens choice and future upgrades.&lt;br/&gt;Tips for Getting Better Wildlife Photos&lt;br/&gt;Even the best camera needs the right technique.&lt;br/&gt;Use a fast shutter speed: Birds in flight may require 1/1000 second or faster, depending on their speed and direction.&lt;br/&gt;Track your subject: Start following the animal before pressing the shutter, particularly when photographing birds.&lt;br/&gt;Avoid unnecessary digital zoom: Use the optical range whenever possible to preserve detail.&lt;br/&gt;Shoot in good light: Early morning and late afternoon can provide attractive light, although dawn and dusk may require higher ISO settings.&lt;br/&gt;Keep your distance: Avoid disturbing wildlife to get a closer photograph.&lt;br/&gt;Practice before a trip: Learn the autofocus, burst and stabilization settings before you encounter a difficult subject.&lt;br/&gt;Which Compact Camera Should You Choose?&lt;br/&gt;For casual wildlife photography and travel, the Sony RX100 VII offers a useful balance of portability and autofocus performance. Its zoom is sufficient for nearby animals, although it is not designed for extreme telephoto work.&lt;br/&gt;For birdwatchers and photographers who need maximum reach, the Nikon COOLPIX P1100 is the more specialized choice. Its 3000mm-equivalent maximum focal length can bring distant subjects into the frame without requiring a separate telephoto lens.&lt;br/&gt;The Sony RX10 V is a strong alternative for photographers who want a substantial zoom range, a relatively bright lens and a versatile all-in-one camera.&lt;br/&gt;Ultimately, choose your camera based on the wildlife you photograph most often. For nearby animals and casual outings, portability may matter most. For distant birds, zoom range becomes essential. For wildlife in low light, sensor performance, lens aperture and autofocus deserve greater attention.&lt;br/&gt;The best compact camera for wildlife photography is not necessarily the one with the biggest zoom number. It is the one that gives you enough reach, reliable focusing and usable image quality for the subjects you actually want to photograph.&lt;br/&gt;Best Pocketable&lt;br/&gt;Sony RX100 VII&lt;br/&gt;20.1MP1&amp;#34; Sensor24-200mm4K30&lt;br/&gt;20.1MP 1&amp;#34; Exmor RS BSI CMOS Sensor&lt;br/&gt;BIONZ X Image Processor &amp;amp; Front-End LSI&lt;br/&gt;ZEISS Vario-Sonnar T* f/2.8-4.5 Lens&lt;br/&gt;24-200mm (35mm Equivalent)&lt;br/&gt;Up to 20-fps Blackout-Free Shooting&lt;br/&gt;UHD 4K30p Video with HLG &amp;amp; S-Log3 Gammas&lt;br/&gt;$1498€1069 · £1049&lt;br/&gt;Shop Now→&lt;br/&gt;Best Overall&lt;br/&gt;Sony RX10 V&lt;br/&gt;20.1MP24-600mm4K6030fps&lt;br/&gt;20.1MP 1&amp;#34; Exmor RS BSI CMOS Sensor&lt;br/&gt;BIONZ XR Processing Engine with AI Chip&lt;br/&gt;4K60 Full-Pixel 4:2:2 10-Bit Video&lt;br/&gt;Zeiss Vario-Sonnar T* f/2.4-4 Zoom Lens&lt;br/&gt;24-600mm Zoom Range (35mm Equivalent)&lt;br/&gt;AI-Powered Autofocus &amp;amp; Subject Tracking&lt;br/&gt;$2298€2499 · £2199&lt;br/&gt;Shop Now→&lt;br/&gt;Best Superzoom&lt;br/&gt;Nikon COOLPIX P1100&lt;br/&gt;16MP24-3000mmf/2.8-8UHD 4K&lt;br/&gt;16MP BSI CMOS Sensor&lt;br/&gt;NIKKOR 24-3000mm Lens (35mm Equivalent)&lt;br/&gt;EXPEED Image Processor&lt;br/&gt;Aperture Range: f/2.8-8&lt;br/&gt;ISO 100-6400&lt;br/&gt;Adoption of a USB-C Connector&lt;br/&gt;$1049.95€948.49 · £999&lt;br/&gt;Shop Now→&lt;br/&gt;Affiliate links&lt;br/&gt;&lt;br/&gt;&lt;a href=&#34;https://www.canonrumors.com/how-to-choose-a-compact-camera-for-wildlife-photography-in-2026/&#34;&gt;https://www.canonrumors.com/how-to-choose-a-compact-camera-for-wildlife-photography-in-2026/&lt;/a&gt;&lt;br/&gt; &lt;img src=&#34;https://www.canonrumors.com/wp-content/uploads/crb-thumbs/4743378ce06baab5924794665bef0f90-640.jpg&#34;&gt; &lt;br/&gt; &lt;img src=&#34;https://www.canonrumors.com/wp-content/uploads/crb-thumbs/d80ade70462b64c63f233b43282c002e-640.jpg&#34;&gt; &lt;br/&gt; &lt;img src=&#34;https://www.canonrumors.com/wp-content/uploads/crb-thumbs/7374d5c43aebe671b92e47091ead0a99-640.jpg&#34;&gt; &lt;br/&gt;&lt;br/&gt;#wildlifephotography #compactcamera #best #vii #sony #choose #pocketablesony #lens #overallsony #sensor&lt;br/&gt;&lt;br/&gt;#rss #feeds #linksharing #qwibbit
    </content>
    <updated>2026-10-30T16:48:48Z</updated>
  </entry>

  <entry>
    <id>https://njump.me/nevent1qqs8ph2wylkgsf2sf2aks7c0vpzvamnhz7fdfms7th7z96z44yzpv4szypjeps7kfy8pc96kxd0t2c4gwftpxqnh8z5c9mr0lnkgftxqfj6gukyyt5l</id>
    
      <title type="html">The New Nikon NIKKOR Z 120-300mm f/2.8 TC VR S vs. Canon RF ...</title>
    
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      The New Nikon NIKKOR Z 120-300mm f/2.8 TC VR S vs. Canon RF 100-300mm f/2.8L IS: Comparison &amp;amp; Specs&lt;br/&gt;&lt;br/&gt;Nikon has officially announced the NIKKOR Z 120-300mm f/2.8 TC VR S which takes aim at the Canon RF 100-300mm f/2.8L IS USM, but ups the game with a built-in 1.4x teleconverter.&lt;br/&gt;Built-in extenders continue to be something shooters are asking for at this level of lens and we hope to see Canon do it again.&lt;br/&gt;Nikon would like to let everyone know that the NIKKOR Z 120-300mm f/2.8 TC VR S is the first f/2.8 zoom with a built-in teleconverter.&lt;br/&gt;Canon shooters are obviously going to compare the NIKKOR Z 120-300mm f/2.8 TC VR S to the Canon RF 100-300mm f/2.8L IS USM. While the focal range is the same, there seems to be a lot of things that Nikon has done across the board that could be considered improvements.&lt;br/&gt;NIKKOR Z 120-300mm f/2.8 TC VR S&lt;br/&gt;The new Nikon used their Silky Swift VCM focus motors. Canon continues to use USM motors in their bigger lenses, with the RF 100-300 using a dual-nano USM setup.&lt;br/&gt;On the built-in image stabilization front, Nikon is claiming 6.5-stops of correction, vs the Canon at 5.5-stops. Hardly a big difference once IBIS is added to the equation.&lt;br/&gt;One thing that drives all Canon shooters bonkers is that Canon refuses to make their lens feet Arca compatible, Nikon has done it here, and Canon wants you to go out and buy someone else&amp;#39;s lens foot or a plate. This is the sort of thing that boggles our minds with Canon.&lt;br/&gt;Nikon has also given you two options for filter use. You can either use the 112mm front thread or 46mm drop-in filter. We think that&amp;#39;s a cool feature if you want a splash guard on the front and use a CPL at the same time.&lt;br/&gt;Nikon NIKKOR Z 120-300mm f/2.8 TC VR S&lt;br/&gt;Built-In 1.4 Teleconverter6.5-Stop VRArca Foot&lt;br/&gt;Full-Frame | Constant f/2.8 Max Aperture&lt;br/&gt;Fast, Versatile High-Performance Zoom&lt;br/&gt;Built-In 1.4x Teleconverter (168-420mm)&lt;br/&gt;Silky Swift VCM AF System&lt;br/&gt;6.5-Stop Synchro VR Stabilization&lt;br/&gt;Aspherical, SR, ED &amp;amp; Super ED Elements&lt;br/&gt;$13,996.95€15,749 · £13,999&lt;br/&gt;Shop Now→&lt;br/&gt;Canon RF 100-300mm f/2.8 L IS USM&lt;br/&gt;5.5-Stop ISDual Nano USMInternal Zoom&lt;br/&gt;Full-Frame | f/2.8 to f/22&lt;br/&gt;Fast L-Series Telephoto Zoom&lt;br/&gt;Dual Nano USM AF System&lt;br/&gt;5.5-Stop Image Stabilization&lt;br/&gt;Floating Focus Design&lt;br/&gt;Internal Zoom and Focusing Design&lt;br/&gt;$10,599€11,999 · £10,699&lt;br/&gt;Shop Now→&lt;br/&gt;Affiliate links&lt;br/&gt;The NIKKOR Z 120-300mm f/2.8 TC VR S weighs in at 2735g/6lbs and is 353.5mm/1.2′ long. The RF 100-300mm f/2.8L IS USM weighs in at 2590g/5.7lb with a length of 323.4mm/1.05′. With the addition of the built-in teleconverter, these two lenses are pretty close to one another, and shooters wouldn&amp;#39;t notice much of a difference between them.&lt;br/&gt;The NIKKOR Z 120-300mm f/2.8 TC VR S looks terrific and comes with the price to match launching at $13,996.95, which is about $3500 more than the RF 100-300mm f/2.8L IS USM at $10,599. The RF 1.4x extender adds another $589, but that still keeps the Canon offering considerably cheaper.&lt;br/&gt;We do miss the days of Canon and Nikon going at each other with lenses like this. Nikon is really pushing their telephoto and supertelephoto offerings and we&amp;#39;ll have to wait and see if that effort pays off by selling more camera bodies by getting new customers into the Z system.&lt;br/&gt;Next, we&amp;#39;ll look at the measured optical performance of the two lenses.&lt;br/&gt;MTF Comparison&lt;br/&gt;Canon announced the RF 100-300mm f/2.8L IS USM back in April of 2023, and at the time most people were calling it the best zoom lens ever made. At the time? It probably was. It&amp;#39;s a brilliant lens across the board.&lt;br/&gt;Nikon appears to have made a lens that is optically better than its Canon counterpart with the NIKKOR Z 120-300mm f/2.8 TC VR S. Nikon chose to build a 1.4x teleconverter into the lens, which adds a lot of versatility, which is great considering its $14,000 USD price tag.&lt;br/&gt;MTF comparison&lt;br/&gt;Canon RF 100-300mm f/2.8L vs Nikon Z 120-300mm f/2.8 TC&lt;br/&gt;100mm / 120mm&lt;br/&gt;300mm&lt;br/&gt;420mm (1.4x TC)&lt;br/&gt;Show&lt;br/&gt;10 lp/mm contrast&lt;br/&gt;30 lp/mm detail&lt;br/&gt;Canon RF 100-300mm f/2.8L&lt;br/&gt;100mm · f/2.8&lt;br/&gt;0.5&lt;br/&gt;0.6&lt;br/&gt;0.7&lt;br/&gt;0.8&lt;br/&gt;0.9&lt;br/&gt;1&lt;br/&gt;0&lt;br/&gt;5&lt;br/&gt;10&lt;br/&gt;15&lt;br/&gt;20&lt;br/&gt;MM FROM CENTRE&lt;br/&gt;10 lp/mm: 0.97 centre → 0.95 / 0.90 corner (S/M)&lt;br/&gt;30 lp/mm: 0.90 centre → 0.80 / 0.63 corner (S/M)&lt;br/&gt;Nikon Z 120-300mm f/2.8 TC&lt;br/&gt;120mm · f/2.8&lt;br/&gt;0.5&lt;br/&gt;0.6&lt;br/&gt;0.7&lt;br/&gt;0.8&lt;br/&gt;0.9&lt;br/&gt;1&lt;br/&gt;0&lt;br/&gt;5&lt;br/&gt;10&lt;br/&gt;15&lt;br/&gt;20&lt;br/&gt;MM FROM CENTRE&lt;br/&gt;10 lp/mm: 0.99 centre → 0.95 / 0.95 corner (S/M)&lt;br/&gt;30 lp/mm: 0.95 centre → 0.58 / 0.59 corner (S/M)&lt;br/&gt;Head to head · 30 lp/mm (fine detail)&lt;br/&gt;Wide end: Canon 100mm vs Nikon 120mm&lt;br/&gt;0.5&lt;br/&gt;0.6&lt;br/&gt;0.7&lt;br/&gt;0.8&lt;br/&gt;0.9&lt;br/&gt;1&lt;br/&gt;0&lt;br/&gt;5&lt;br/&gt;10&lt;br/&gt;15&lt;br/&gt;20&lt;br/&gt;MM FROM CENTRE&lt;br/&gt;CanonNikonSagittalMeridional&lt;br/&gt;Head to head · 10 lp/mm (contrast)&lt;br/&gt;Wide end: Canon 100mm vs Nikon 120mm&lt;br/&gt;0.5&lt;br/&gt;0.6&lt;br/&gt;0.7&lt;br/&gt;0.8&lt;br/&gt;0.9&lt;br/&gt;1&lt;br/&gt;0&lt;br/&gt;5&lt;br/&gt;10&lt;br/&gt;15&lt;br/&gt;20&lt;br/&gt;MM FROM CENTRE&lt;br/&gt;CanonNikonSagittalMeridional&lt;br/&gt;Canon RF 100-300mm f/2.8L&lt;br/&gt;300mm · f/2.8&lt;br/&gt;0.5&lt;br/&gt;0.6&lt;br/&gt;0.7&lt;br/&gt;0.8&lt;br/&gt;0.9&lt;br/&gt;1&lt;br/&gt;0&lt;br/&gt;5&lt;br/&gt;10&lt;br/&gt;15&lt;br/&gt;20&lt;br/&gt;MM FROM CENTRE&lt;br/&gt;10 lp/mm: 0.98 centre → 0.97 / 0.94 corner (S/M)&lt;br/&gt;30 lp/mm: 0.93 centre → 0.87 / 0.78 corner (S/M)&lt;br/&gt;Nikon Z 120-300mm f/2.8 TC&lt;br/&gt;300mm · f/2.8&lt;br/&gt;0.5&lt;br/&gt;0.6&lt;br/&gt;0.7&lt;br/&gt;0.8&lt;br/&gt;0.9&lt;br/&gt;1&lt;br/&gt;0&lt;br/&gt;5&lt;br/&gt;10&lt;br/&gt;15&lt;br/&gt;20&lt;br/&gt;MM FROM CENTRE&lt;br/&gt;10 lp/mm: 1.00 centre → 0.97 / 0.99 corner (S/M)&lt;br/&gt;30 lp/mm: 0.98 centre → 0.76 / 0.87 corner (S/M)&lt;br/&gt;Head to head · 30 lp/mm (fine detail)&lt;br/&gt;Both wide open at f/2.8&lt;br/&gt;0.5&lt;br/&gt;0.6&lt;br/&gt;0.7&lt;br/&gt;0.8&lt;br/&gt;0.9&lt;br/&gt;1&lt;br/&gt;0&lt;br/&gt;5&lt;br/&gt;10&lt;br/&gt;15&lt;br/&gt;20&lt;br/&gt;MM FROM CENTRE&lt;br/&gt;CanonNikonSagittalMeridional&lt;br/&gt;Head to head · 10 lp/mm (contrast)&lt;br/&gt;Both wide open at f/2.8&lt;br/&gt;0.5&lt;br/&gt;0.6&lt;br/&gt;0.7&lt;br/&gt;0.8&lt;br/&gt;0.9&lt;br/&gt;1&lt;br/&gt;0&lt;br/&gt;5&lt;br/&gt;10&lt;br/&gt;15&lt;br/&gt;20&lt;br/&gt;MM FROM CENTRE&lt;br/&gt;CanonNikonSagittalMeridional&lt;br/&gt;Canon RF 100-300mm f/2.8L&lt;br/&gt;420mm · f/4 (RF 1.4x)&lt;br/&gt;0.5&lt;br/&gt;0.6&lt;br/&gt;0.7&lt;br/&gt;0.8&lt;br/&gt;0.9&lt;br/&gt;1&lt;br/&gt;0&lt;br/&gt;5&lt;br/&gt;10&lt;br/&gt;15&lt;br/&gt;20&lt;br/&gt;MM FROM CENTRE&lt;br/&gt;10 lp/mm: 0.97 centre → 0.95 / 0.88 corner (S/M)&lt;br/&gt;30 lp/mm: 0.86 centre → 0.81 / 0.55 corner (S/M)&lt;br/&gt;Nikon Z 120-300mm f/2.8 TC&lt;br/&gt;420mm · f/4 (built-in 1.4x)&lt;br/&gt;0.5&lt;br/&gt;0.6&lt;br/&gt;0.7&lt;br/&gt;0.8&lt;br/&gt;0.9&lt;br/&gt;1&lt;br/&gt;0&lt;br/&gt;5&lt;br/&gt;10&lt;br/&gt;15&lt;br/&gt;20&lt;br/&gt;MM FROM CENTRE&lt;br/&gt;10 lp/mm: 0.99 centre → 0.95 / 0.98 corner (S/M)&lt;br/&gt;30 lp/mm: 0.91 centre → 0.62 / 0.77 corner (S/M)&lt;br/&gt;Head to head · 30 lp/mm (fine detail)&lt;br/&gt;Canon with RF 1.4x vs Nikon built-in TC&lt;br/&gt;0.5&lt;br/&gt;0.6&lt;br/&gt;0.7&lt;br/&gt;0.8&lt;br/&gt;0.9&lt;br/&gt;1&lt;br/&gt;0&lt;br/&gt;5&lt;br/&gt;10&lt;br/&gt;15&lt;br/&gt;20&lt;br/&gt;MM FROM CENTRE&lt;br/&gt;CanonNikonSagittalMeridional&lt;br/&gt;Head to head · 10 lp/mm (contrast)&lt;br/&gt;Canon with RF 1.4x vs Nikon built-in TC&lt;br/&gt;0.5&lt;br/&gt;0.6&lt;br/&gt;0.7&lt;br/&gt;0.8&lt;br/&gt;0.9&lt;br/&gt;1&lt;br/&gt;0&lt;br/&gt;5&lt;br/&gt;10&lt;br/&gt;15&lt;br/&gt;20&lt;br/&gt;MM FROM CENTRE&lt;br/&gt;CanonNikonSagittalMeridional&lt;br/&gt;10 lp/mm&lt;br/&gt;30 lp/mm&lt;br/&gt;Sagittal&lt;br/&gt;Meridional&lt;br/&gt;Redrawn from Canon &amp;amp; Nikon published charts · scale starts at 0.5&lt;br/&gt;Canon RF 100-300mm f/2.8L IS USM Performance&lt;br/&gt;Canon at 100mm: Contrast is excellent across the frame, staying above 0.95 to the edge. Fine detail starts at about 0.90 and the sagittal line holds steady, still about 0.80 in the far corner. The meridional line eases off from the centre, reaching about 0.77 by 15mm and 0.63 in the corner, so there’s some astigmatism towards the edges.&lt;br/&gt;Canon at 300mm: At its best at 300mm. Fine detail starts at about 0.93 and only drops to roughly 0.87 (sagittal) and 0.78 (meridional) in the corners.&lt;br/&gt;Canon at 420mm with RF 1.4x: The extender does have a hit on performance. Centre detail drops to about 0.86. The meridional line slides to about 0.72 by 15mm and 0.55 in the corners, so expect noticeably softer edges.&lt;br/&gt;Nikon NIKKOR Z 120-300mm f/2.8 TC VR S Weather Sealing&lt;br/&gt;NIKKOR Z 120-300mm f/2.8 TC VR S Performance&lt;br/&gt;Nikon at 120mm: contrast is essentially maxed out, at about 0.99 to 18mm. Fine detail is higher in the centre at about 0.95, and the sagittal line stays flat at 0.95 all the way to 15mm. Past 18mm it drops sharply, to about 0.58 in the extreme corner. The meridional line also falls away earlier and faster than the Canon’s: about 0.88 at 10mm, 0.79 at 15mm and 0.59 in the corner.&lt;br/&gt;Nikon at 300mm: starts at about 0.98 and stays above 0.95 out to 15mm, so it’s the sharper design across most of the frame. Its sagittal line drops after about 18mm, finishing near 0.76, below the Canon’s 0.87. Its meridional line holds up better than the Canon’s, at about 0.87 vs 0.78.&lt;br/&gt;Nikon at 420mm with its built-in teleconverter: Center detail stays higher at about 0.91–0.93, and the meridional line holds up far better, still about 0.77 in the corners. Like the rest of the range, its sagittal line drops late, to about 0.62 at the extreme edge.&lt;br/&gt;Tale of the Tape&lt;br/&gt;The Nikon is sharper in the centre and mid-frame at every focal length. Its biggest advantage is at 420mm, where the built-in teleconverter clearly beats the Canon with the external RF 1.4x extender. The only weak spot, if you want to call it that is the drop-off in image quality at 120mm in the far corners. Which isn&amp;#39;t a big deal in the real world.&lt;br/&gt;The Canon has lower peak numbers across the board, though it does have better corner performance at 100mm.&lt;br/&gt;At the end of the day, the lines on a graphs tell us that both lenses are remarkable achievements and it doesn&amp;#39;t matter which one you own, you&amp;#39;re going to get great optical results. With that said, the NIKKOR Z 120-300mm f/2.8 TC VR S can likely call itself the best zoom lens ever made.&lt;br/&gt;Keep in mind that MTF charts are provided by the manufacturer, and are in no way standardized across all of the brands.&lt;br/&gt;Lens Comparison&lt;br/&gt;Lens comparison&lt;br/&gt;NikonNIKKOR Z 120-300mm f/2.8 TC VR S&lt;br/&gt;CanonRF 100-300mm f/2.8 L IS USM&lt;br/&gt;Focal length&lt;br/&gt;120-300mm&lt;br/&gt;100-300mm&lt;br/&gt;Maximum aperture&lt;br/&gt;f/2.8&lt;br/&gt;f/2.8&lt;br/&gt;Minimum aperture&lt;br/&gt;f/22&lt;br/&gt;f/22&lt;br/&gt;Mount&lt;br/&gt;Nikon Z&lt;br/&gt;Canon RF&lt;br/&gt;Format&lt;br/&gt;Full-Frame&lt;br/&gt;Full-Frame&lt;br/&gt;Angle of view&lt;br/&gt;20° 20′ to 8° 10′&lt;br/&gt;24° to 8° 15′&lt;br/&gt;Minimum focus distance&lt;br/&gt;0.98 m wide (3.2 ft)&lt;br/&gt;2 m tele (6.6 ft)&lt;br/&gt;1.8 m (5.9 ft)&lt;br/&gt;Magnification&lt;br/&gt;0.18 to 0.25x (1:4)&lt;br/&gt;0.06 to 0.16x (1:6.25)&lt;br/&gt;Focus&lt;br/&gt;Autofocus&lt;br/&gt;Autofocus&lt;br/&gt;Image stabilization&lt;br/&gt;Yes&lt;br/&gt;Yes&lt;br/&gt;Tripod collar&lt;br/&gt;Removable, rotating&lt;br/&gt;Fixed, rotating&lt;br/&gt;Filter size&lt;br/&gt;112 mm&lt;br/&gt;112 mm&lt;br/&gt;Dimensions (ø x length)&lt;br/&gt;128 x 353.5 mm&lt;br/&gt;128 x 323.4 mm&lt;br/&gt;Weight&lt;br/&gt;2735 g (6 lb)&lt;br/&gt;2590 g (5.7 lb)&lt;br/&gt;Lens Construction&lt;br/&gt;&amp;lt;a class=&amp;#34;pretty-link pretty-link-keyword prli-keyword&amp;#34; target=&amp;#34;_blank&amp;#34;&amp;gt;Nikon NIKKOR Z 120-300mm f/2.8 TC VR S&amp;lt;/a&amp;gt; optical construction&lt;br/&gt;Optical layout with and without the built-in 1.4x teleconverter, showing ED, Super ED, fluorite, aspherical and SR lens elements.&lt;br/&gt;OPTICAL CONSTRUCTION&lt;br/&gt;Nikon NIKKOR Z 120-300mm f/2.8 TC VR S&lt;br/&gt;Without built-in teleconverter · 120–300mm f/2.8&lt;br/&gt;LIGHT →&lt;br/&gt;SENSOR&lt;br/&gt;With built-in 1.4x teleconverter · 168–420mm f/4&lt;br/&gt;1.4x TC GROUP&lt;br/&gt;LIGHT →&lt;br/&gt;SENSOR&lt;br/&gt;ED glass&lt;br/&gt;Super ED glass&lt;br/&gt;Fluorite&lt;br/&gt;Aspherical&lt;br/&gt;SR lens&lt;br/&gt;Standard glass&lt;br/&gt;Redrawn from Nikon&amp;#39;s published diagram&lt;br/&gt;Press Release&lt;br/&gt;Press Release&lt;br/&gt;Nikon Releases the NIKKOR Z 120-300mm f/2.8 TC VR S, the World’s First Constant f/2.8 Telephoto Zoom Lens with a Built-In 1.4× Teleconverter&lt;br/&gt;Highly Anticipated Lens is Designed to Meet the Demands of Professional Sports Photographers&lt;br/&gt;Melville, N.Y., October 29, 2026&lt;br/&gt;Today, Nikon Inc. announced the release of the NIKKOR Z 120-300mm f/2.8 TC VR S, a fast telephoto pro-level zoom lens compatible with full-frame/FX-format mirrorless cameras.&lt;br/&gt;As part of the S-Line1 series of NIKKOR Z lenses, the NIKKOR Z 120-300mm f/2.8 TC VR S is a telephoto zoom lens that covers a focal length range of 120mm to 300mm with a fast, constant maximum aperture of f/2.82 throughout the zoom range. It is the world’s first3 zoom lens with a constant maximum aperture of f/2.8 to feature a built-in 1.4× teleconverter. This gives photographers the flexibility to cover a wide range of sports scenes, from low-light indoor events like figure skating and basketball, to outdoor sports such as tennis and soccer, where photographers often work at varying distances from their subjects.&lt;br/&gt;Despite being a zoom lens, it delivers outstanding rendering performance comparable to that of a prime lens across the entire frame. With superior resolution and large, natural bokeh, the lens captures athletes’ facial expressions and movements in fine detail, creating immersive images that make viewers feel as if they were part of the action. The built-in 1.4× teleconverter extends reach to a super-telephoto focal length of 420mm with a single easily accessible switch, while maintaining superior rendering performance.&lt;br/&gt;The lens is surprisingly nimble, weighing approximately 6 lbs (2,735 g), making it about 1.1 lbs (515 g) lighter than the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR (released in 2020). The reduced weight and time saved switching equipment supports photographers’ ability to capture decisive moments in rapidly changing sports action.&lt;br/&gt;Nikon will continue to pursue a new dimension in optical performance while meeting users&amp;#39; needs and contributing to the development of imaging culture, with the hope of expanding possibilities for imaging expression.&lt;br/&gt;Primary Features&lt;br/&gt;Delivers fast, highly precise, and smooth autofocus (AF) control with the Silky Swift VCM (SSVCM)4 to track rapidly moving athletes.&lt;br/&gt;Features Meso Amorphous Coat, which offers the best anti-reflection performance in Nikon history5, and ARNEO Coat to effectively suppress ghosting and flare for clear images, even in situations where light sources are likely to enter the frame.&lt;br/&gt;Powerful 6.5-stop6 vibration reduction (VR) performance at the center and edges of the frame when used with a camera that supports Synchro VR.&lt;br/&gt;Features an internal focusing (IF) system and an internal zoom mechanism that keep the overall length of the lens constant during focusing or zooming.&lt;br/&gt;Supports Arca-Swiss tripod heads7 for smoother mounting and removal of the lens.&lt;br/&gt;The tripod collar features a rubber cushion and integrated finger grip for stable portability.&lt;br/&gt;Supports both front screw-on filters and rear slip-in filter holders.&lt;br/&gt;Includes the HB-120 Bayonet Hood, which has no protruding parts and is easy to attach and remove, allowing convenient storage and easy handling.&lt;br/&gt;Offers high durability using magnesium alloy and superior dust- and drip-resistant performance8 through extensive sealing.&lt;br/&gt;Price and Availability&lt;br/&gt;The new NIKKOR Z 120-300mm f/2.8 TC VR S lens will be available in mid-November 2026 for a suggested retail price of $13,996.95*.&lt;br/&gt;Pre-Order&lt;br/&gt;Nikon NIKKOR Z 120-300mm f/2.8 TC VR S&lt;br/&gt;$13,996.95 €15,749 £13,999&lt;br/&gt;Available mid-November 2026&lt;br/&gt;Pre-order Now →&lt;br/&gt;Affiliate link&lt;br/&gt;Source: Nikon Inc.&lt;br/&gt;&lt;br/&gt;&lt;a href=&#34;https://www.canonrumors.com/nikon-nikkor-z-120-300mm-f-2-8-tc-vr-s-vs-canon-rf-100-300mm-f-2-8l-is-comparison-specs/&#34;&gt;https://www.canonrumors.com/nikon-nikkor-z-120-300mm-f-2-8-tc-vr-s-vs-canon-rf-100-300mm-f-2-8l-is-comparison-specs/&lt;/a&gt;&lt;br/&gt; &lt;img src=&#34;https://www.canonrumors.com/wp-content/uploads/crb-thumbs/2f95c0cbe3b5a838a81307d19dd23675-640.jpg&#34;&gt; &lt;br/&gt; &lt;img src=&#34;https://www.canonrumors.com/wp-content/uploads/crb-thumbs/5ad2993f6094b37d31bc0b24c104f053-640.jpg&#34;&gt; &lt;br/&gt; &lt;img src=&#34;https://www.canonrumors.com/wp-content/uploads/2026/10/Nikon-NIKKOR-Z-120-300mm-f28-TC-VR-S-Weathersealing.jpg&#34;&gt; &lt;br/&gt;&lt;br/&gt;#nikonnikkor #newnikon #canon #usm #comparison #specs #zoom #silkyswift #swiftvcm #teleconverter&lt;br/&gt;&lt;br/&gt;#rss #feeds #linksharing #qwibbit
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    <updated>2026-10-29T16:54:25Z</updated>
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