Francisco Luis on Nostr: ...

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Posthumous work of the Colombian poet born in Don Matias on January 20, 1948.

Welcome to this blog dedicated to the Posthumous work of the Colombian poet Francisco Luis Arroyave Tabares (my father), born in Don Matias on January 20, 1948-2010. Where I will be publishing each of the 175 sonnets from his unpublished collection 'Sonnets For The Twenty-First Century And A Circadian Musical (1984-1987).' Analyzed with GPT4 artificial intelligence and illustrated with AI tools... I hope you enjoy this garden of words snatched from the solitude of a locked room.

Likewise, any enthusiast of the sonnet form is invited to conduct their personal studies of Arroyave Tabares' work, as it is a collection that, although registered since 1989, has not yet been published.

Frank Duna

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Analysis "Beach Rendition 2"

Introduction

“Beach Rendition 2” by Francisco Luis Arroyave Tabares is a beautiful sonnet that captures the essence of a beach scene and the emotions it evokes.

Thematic Analysis

First Quatrain (lines 1-4): The poem begins with a description of the tides, which are presented as a thrilling and daring spectacle. The tides are said to cover a “wild parade of passions” that are alive and marching. This could be interpreted as the emotions and experiences of the people at the beach.

Second Quatrain (lines 5-8): The second quatrain focuses on the enchantment of the foam (which represents the ocean). The “moist purple edged lips” could be a metaphor for the waves kissing the shore. The earth and stars are also mentioned, suggesting a connection between the beach scene and the wider universe.

Third Quatrain (lines 9-12): The third quatrain introduces the planet Venus, which shines gently over the beach. The poet suggests that love knows no distance on this beach, and that their rendition (or interpretation) of the scene brings a sense of innocence back to their eyes.

Couplet (lines 13-14): The concluding couplet states that all motions have become the evening, possibly referring to the end of the day or the calming of activities. Despite this, the delight (perhaps the enjoyment of the beach or the joy of the shared experience) is just beginning.

Overall, this sonnet uses vivid and evocative imagery to capture the beauty and emotion of a beach scene. The use of metaphors and symbolic language adds depth to the poem, inviting readers to engage with the text on a deeper level. The sonnet form, with its structured rhyme scheme and meter, provides a rhythmic quality to the poem, enhancing its overall impact.

Rhyme Scheme

let’s analyze the rhyme scheme of the sonnet “Beach Rendition 2” by Francisco Luis Arroyave Tabares.

A sonnet traditionally has 14 lines and a specific rhyme scheme. In English literature, the most common forms are the Petrarchan (Italian) sonnet and the Shakespearean (English) sonnet, each with its own distinct rhyme scheme.

The sonnet in question seems to follow the Shakespearean sonnet structure, which typically has the rhyme scheme ABAB CDCD EFEF GG. Let’s break it down:

First Quatrain (lines 1-4): ABAB

Line 1: tides (A)
Line 2: passions (B)
Line 3: side (A)
Line 4: satisfactions (B)

Second Quatrain (lines 5-8): CDCD

Line 5: enchantment (C)
Line 6: touch (D)
Line 7: enthrallment (C)
Line 8: much (D)

Third Quatrain (lines 9-12): EFEF

Line 9: sheen (E)
Line 10: distance (F)
Line 11: seen (E)
Line 12: innocence (F)

Couplet (lines 13-14): GG

Line 13: evening (G)
Line 14: beginning (G)

So, the rhyme scheme of this sonnet is ABAB CDCD EFEF GG, which is typical of a Shakespearean sonnet. This structure contributes to the rhythm and flow of the poem, enhancing its musicality and making it more pleasing to the ear. It also helps to emphasize certain words and ideas, adding depth to the poem’s meaning.

Additional Aspects

Let’s delve deeper into the analysis of Sonnet 114 by Francisco Luis Arroyave Tabares:

Language and Imagery: The sonnet uses rich and evocative language to create vivid imagery. The poet uses metaphors such as “moist purple edged lips” to describe the waves and “Venus shines with clear sheen” to depict the night sky. The language is highly descriptive, painting a detailed picture of the beach scene.

Themes: The main themes of the sonnet include nature, love, and the passage of time. The beauty and power of nature are depicted through the tides, the foam, and the stars. Love is suggested through the metaphor of the waves kissing the shore and the statement that “love does not have distance” on the beach. The passage of time is hinted at in the final couplet, which speaks of the evening and the beginning of delight.

Meter: The sonnet appears to follow the iambic pentameter, which is the most common meter in English poetry and is often used in sonnets. In iambic pentameter, each line consists of five iambs, which are metrical feet with two syllables, the first unstressed and the second stressed (da-DUM). However, without having the exact stresses of the words, it’s hard to confirm this completely.

Overall: “Beach Rendition 2” is a beautifully crafted sonnet that uses vivid language and imagery to explore themes of nature, love, and time. The structured form of the sonnet, with its quatrains and couplet, provides a rhythmic quality that enhances the poem’s musicality and emotional impact. The use of metaphors and symbolic language invites readers to engage with the poem on a deeper level, adding depth and richness to the reading experience. The sonnet is a testament to the poet’s skill and creativity, demonstrating a deep understanding of the sonnet form and its potential for expressive power.

(GPT4)

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Syllable count for each line.

Beach Rendition 2


10 In daring thrill the water gives us tides
10 To cover a wild parade of passions 
10 That are alive and marching on the side 
10 To maintain a trend of satisfactions.

10 There is splendor in the foam's enchantment                        
10 When moist purple edged lips ardently touch 
9   Amid the earth's and star's enthrallment 
10 In a flying song that covers as much.

10 Very gently Venus shines with clear sheen                        
10 For this beach where love does not have distance, 
10 Happily our rendition can be seen 
10 And to our eyes comes back some innocence.

 9   All motions have become the evening
10  But our delight is in the beginning.
                                   ***

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Sonnets For The Twenty First Century And A Circadian Musical Written By Francisco Luis Arroyave Tabares (1984-1987)

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Analyzed by GPT4; Image by Frank Duna; First published on Nostr Protocol by [email protected] Beach Rendition # 2