my experience is that getting art types interested about foss is like getting suburbanites to care about ancient laws of hospitality
it feels like guys like david revoy are one in a history of organic life on a given planet
i think one problem is that culturally artists are so used to a perpetual struggle against art theft that they no longer have a concept of not doubling down on proprietary models of valuing their own creative output
foss projects need to commission artists more - to give *foss* exposure